It is also about redemption as The Terminator becomes the protector of the people he initially was sent to kill, this takes great trust from Sarah to allow this machine to even be in proximity to her and her son as it was trying to kill her in the first film. This provides John with a relationship that he's been lacking in his life. The Terminator becomes a friend, and like a father figure to John as he protects him from the dangers of the world that attempt to harm him and take his life. It is the heart and one's willingness to sacrifice for others that allows for the greatest victory to occur no matter what level of weaponry is deployed. What is considered outdated battling what's new, and in the end it isn't the new technology that wins out. I'm not sure this was the allegory that Cameron and Gale Ann Hurd set out to write, but it is one that was created because of their commitment to the story that was in their imagination and their desire to bring it to life on-screen. Thus the film is about the ability for change, and more importantly the necessity of change if mankind is going to survive. However, by the end of the film, Terminator gives his life in order to protect John. This creates an expectation that he will, as he did in the first film, be the enemy of Sarah and her young son, John. We watch as Schwarzenegger, the original Terminator that was sent to kill John's mother, Sarah returns to a time before the war. The resistance is lead by John Connor and the machines send back a Terminator in order to kill him so that the war will not go in favor of mankind. The film begins with the audience seeing judgement day, and the machines attempting to seize control of the earth by killing all of mankind. Written by people who wish to remain anonymous We are thankful for their contributions and encourage you to make your own. The script loses a couple of points for sentimentality in regards to young John Connor, but its nonetheless one of the greatest sequels ever.These notes were contributed by members of the GradeSaver community. The pioneering computer effects remain the star, however, wowing 2015 viewers just as much as the weapons-grade digital work today. Linda Hamilton made Sarah Connor more than just a hapless victim in the first chapter, but what she does here - becoming a cold killing machine herself - is superb. As the liquid metal monster T-1000, however, Robert Patrick exudes menace with every precise step. In a great turnabout from being the heavy, Schwarzenegger imbues the role with an indelible amount of character. In this R-rated sequel, a Terminator (Schwarzenegger) gets sent back in time to protect John Connor (Edward Furlong), the boy destined to lead freedom fighters of the future including his mother (Hamilton), a quintessential survivor who has been institutionalized for her warning of the nuclear holocaust she knows is inevitable. Putting forth basically the same story, this sequel nonetheless achieves a greater level of depth and emotion in making part two more of a survivor's tale. It's such a genius twist on the formula that the series never stands a chance at reaching these vaulted great heights again. Turning audience expectations on their heads, Schwarzenegger's iconic Terminator now becomes the guardian of the intended victim. This pulse-pounding action, however, rivals the suspense generated by the first perpetual motion machine. Shifting gears from sci-fi-horror to sci-fi-thriller, these continuing adventures play out more as an action movie than slasher flick to stellar effect. Re-calibrating a nearly perfect audience-slaying machine into an equally entertaining follow-up, Judgement Day boasts still-awestriking visual effects and a winning twist on its own formula. Rating: R (Strong Sci-Fi Action|Language|Violence) As John and his mother (Linda Hamilton) go on the run with the T-800, the boy forms an unexpected bond with the robot. Another Terminator, the revamped T-800 (Arnold Schwarzenegger), has been sent back to protect the boy. In this sequel set eleven years after "The Terminator," young John Connor (Edward Furlong), the key to civilization's victory over a future robot uprising, is the target of the shape-shifting T-1000 (Robert Patrick), a Terminator sent from the future to kill him.
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